Conocimiento de oficio.
Reemay or Hollytex: which to use for each conservation task
Reemay or Hollytex in paper and canvas conservation: what they share, how they differ, which to use for each task, or how to ma...
Leer guíaConsolidant for Restoration: Which One to Choose and When Not To
Guide for choosing consolidant in restoration: decohesion or disadhesion, which solvent the artwork tolerates, and when not to ...
Leer guíaAquazol 50, 200, or 500: Which to Choose | Technical Guide
You're about to buy Aquazol and find that there isn't just one, but three: Aquazol 50, Aquazol 200, and Aquazol 500. And nowher...
Leer guíaBrass clips in conservation: do they protect or damage works on paper?
Do Brass Paper Clips Damage Works on Paper? What the Library of Congress, NEDCC, and AIC Say: When They Protect, When They Don'...
Leer guíaDry Cleaning in Conservation-Restoration: A Guide to Media and Techniques
Cleaning is one of the most delicate and irreversible interventions in the restoration process: what is removed does not return...
Leer guíaImageJ in Conservation-Restoration: When the Image Becomes Data
How to use ImageJ for image analysis in conservation-restoration: measuring stain areas and documenting changes more objectively.
Leer guíaEnzymatic Cleaning of Acrylic Paint: Lipase and Gels
How enzymatic systems with Candida rugosa lipase and gels open a controlled pathway for treating wax deposits in acrylic paint.
Leer guíaRestoration Stuccoes: A Complete Guide to Choosing the Right Filler Material
Choosing the right filler for an infill is one of the most frequent decisions in restoration. A mistake here can compromise the...
Leer guíaParaloid B-72: what it is, how it's used, and why it's the benchmark consolidant in conservation-restoration
If you work in conservation-restoration, Paraloid B-72 is probably the consolidant you've held most often.In this guide, we rev...
Leer guía